Digital illustration of a woman drawn in pale blue lines, her body breaking apart in glitching bands of color around an exposed red heart, against dark leaves.
Art by Joy Sugihara.

LENS Journal, Volume 1: Fall 2026

The inaugural issue of LENS: The Journal of Environmental Narratives, a creative academic journal produced by UCLA undergraduates: personal narratives, essays, fiction, poetry and art about the many environments we live in.

A Note from the Editor

Whether you are holding the crisp paper edges of our journal in your hands or scrolling through its pixelated pages online, I would like to offer you a warm welcome to the inaugural issue of LENS: The Journal of Environmental Narratives.

Around eight months ago, UCLA professors Jon Christensen and Ursula K. Heise approached me with the concept of creating a multidisciplinary undergraduate journal about environmental narratives, which would operate under the auspices of the Laboratory for Environmental Narrative Strategies (LENS). It would be the first of its kind at our university. Suffice it to say, their idea garnered my immediate support and enthusiasm.

The prospect of providing undergraduates across North and South campus with an academic venue in which to display their ecocentric works was thrilling; the actualization of 65 pages teeming with ecosystems of human and other-than-human assemblages, Indigenous stewardships and labors, and varied cultural resonances to wastes and oceans has proved to be even more so.

Through our first issue, we hope to offer a concrete recognition and appreciation of them. I am filled with gratitude and humility to present you with our featured pieces. They offer vignettes into subjective, interconnective, material, and affective histories and experiences across human and other-than-human environments.

— Julia Awad, Editor-in-Chief

The full note, the masthead and contributor biographies are in the PDF of the issue.

In This Issue

A hand holding a small yellow flower above green grass.

My Park: A Home Away from Home

Muaathah Abdullah

In the form of a personal narrative, Muaathah Abdullah offers readers the intimately social and familial dimensions of green spaces that provide a sense of belonging against life’s turmoils.

Gulls standing on a sandy beach.

The Divine Right of Waste? And Food Recovery as a Practice of Care

Victoria Tong

Victoria Tong’s community-building work with UCLA’s Bruin Dine gives us a glimpse into the intersectionalities between food waste, climate justice, wealth inequity, and solidarity.

Paper cutouts of rock formations colored in rainbow stripes beneath a radiating sun, around a small cream-colored paper plant.

Humwichawa at Dusk

Marianna Rebollar

In ode to desert landscapes, Marianna Rebollar composes a poem about Indigenous relationships with the environment as well as her own fond memories of growing up near Humwichawa.

Close-up of a moth with an eyespot on its wing, resting on mossy bark.

An Excerpt from “Rooted”

Abigail Rui-En Hsu

In the form of a philosophical fable, Abigail Rui-En Hsu imagines the life of an ancient tree whose reflections on memory, grief, and endurance reveal a more compassionate way of understanding humanity’s relationship with the natural world.

Digital illustration of a woman drawn in pale blue lines, her body breaking apart in glitching bands of color around an exposed red heart, against dark leaves.

She Feels It All

Joy Sugihara

Against the unprecedented rise of artificial intelligence, Joy Sugihara artistically renders Mother Nature in an unraveling form, urging for a recognition of the interconnectedness between technological expansion and environmental decay.

A white-crowned sparrow perched on top of a flowering shrub.

Reflections on a Series of Campus Bird Surveys

Ava Philson

Ava Philson brings readers into her fieldwork reflections that span from tracking bird movement and behaviors to pondering the fraught human-animal relationship.

People silhouetted against an orange sunset over the ocean.

Moving Away From Stillness

Kylie Bach

Through a series of human-nature and human-technology vignettes, Kylie Bach provokes her audience to consider their individual relationships to the environment, the sonic comfort of silence, and nature’s temporal rhythms.

Brown pelicans taking off from a beach below coastal bluffs.

One Man’s Trash is Another Man’s Treasure

Alyssa Wong

Examining two novels that were written three centuries apart, Alyssa Wong approaches varying perceptions of waste in the context of maritime exploration and destruction, colonial dynamics, and psychological states.

Two crows on a wooden utility pole against a blue sky.

Looking Backwards

Louise Goldman

Louise Goldman presents us with a poem of tense urban-nature conflicts: human-centered infrastructure and exploration at the expense of the environment.

A ladybug on a plant stem with new reddish leaves.

Echoes of Home

Priya Grewal

With her neem tree as the locus of her story, Priya Grewal dives into a personal narrative of intergenerational care as well as self-discovery and belonging within the natural world.

Two small finches perched on a looped power line.

My Creature

Kiara Velez

From the point of view of a Dark-eyed Junco, Kiara Velez writes a short story about human-animal (dis)connection, scientific experimentation, and environmental disaster.

Sea lions resting on a rocky outcrop above breaking waves.

The Ecological Labor of Sustainability

Caitlyn Chang

Prompting us to think beyond Western capitalist markets, Caitlyn Chang illuminates the often undervalued ecological labor of women in the Global South.

Collage painting of faces among cut-out strips of musical theater lyrics, including “Welcome sulfur dioxide” and “Hello carbon monoxide.”

Environmental Justice Through a Musical Theater Lens

Isabella Bonner

Inspired by three musicals, Isabella Bonner constructs an art piece out of repurposed materials to reflect pollution exposure, resource scarcity, and geographic inequity.

Sunlit desert mountains beneath a rainbow.

We Were Never Separate

Samantha Castro

Samantha Castro’s poem critiques the capitalist and colonial quantification of nature and injustice toward marginalized groups, opting instead to uplift the human-nature connection as one of reciprocity, solidarity, and activism.

Drawing of a large orange eye framed by the words “I thought I was special,” “What my eyes don’t see,” “I know all” and “What you do not face.”

Ecog

Angelica Osorio

Through a panel of drawings, Angelica Osorio represents two initially antagonistic voices—Mother Nature and humanity. Yet, as Osorio’s art progresses, she suggests harmony between the two.

Image Credits

Cover art, She Feels It All, by Joy Sugihara. Pieces illustrated in print with outside images appear here with photographs by the journal’s own contributors and editors, as on the issue’s contents pages.

  • My Park: A Home Away from Home: Photograph by Muaathah Abdullah.
  • The Divine Right of Waste? And Food Recovery as a Practice of Care: Photograph by Merrin Casl.
  • Humwichawa at Dusk: Drawing and photograph by Marianna Rebollar.
  • An Excerpt from “Rooted”: Photograph by Annie Phillips.
  • She Feels It All: Art by Joy Sugihara.
  • Reflections on a Series of Campus Bird Surveys: Photograph by Merrin Casl.
  • Moving Away From Stillness: Photograph by Taizo Nakayama.
  • One Man’s Trash is Another Man’s Treasure: Photograph by Merrin Casl.
  • Looking Backwards: Photograph by Julia Awad.
  • Echoes of Home: Photograph by Merrin Casl.
  • My Creature: Photograph by Julia Awad.
  • The Ecological Labor of Sustainability: Photograph by Grace Miller.
  • Environmental Justice Through a Musical Theater Lens: Art by Isabella Bonner.
  • We Were Never Separate: Photograph by Grace Miller.
  • Ecog: Art by Angelica Osorio.